Martin Loiperdinger Märtyrerlegenden im NS-Film Opladen, 1991 |
||
Martin Loiperdinger (hg.) Oskar Messter, Filmpionier der Kaiserzeit Basel, 1994 |
||
Martin Loiperdinger (editor) Celluloid goes digital, historical-critical editions of films on DVD and the Internet ; proceedings of the first international Trier Conference on Film and New Media, October 2002 Trier, 2003 |
||
Martin Loiperdinger, The Kaiser's Cinema: An Archeology of Attitudes and Audiences, in: Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Vanessa Toulmin and Martin Loiperdinger, Is it You? Recognition, Representation and Response in Relation to the Local Film, in: Film History, vol. 17, 2005 pp. 7-18 |
Martin Loiperdinger, Film Censorship in Germany: Continuity and Change through Five Political Systems, in: Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Author: | Martin Loiperdinger |
Title: | The Kaiser's Cinema: An Archeology of Attitudes and Audiences |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 41-50 |
Illustrations: | yes |
Author: | Vanessa Toulmin and Martin Loiperdinger |
Linked author: | |
Title: | Is it You? Recognition, Representation and Response in Relation to the Local Film |
in: | |
Magazine: | Film History |
Volume: | 17 |
Year: | 1996 |
Pp: | 7-18 |
Illustrations: | yes |
Author: | Martin Loiperdinger |
Linked author: | |
Title: | Film Censorship in Germany: Continuity and Change through Five Political Systems |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 81-96 |
Illustrations: | no |