Jan-Christopher Horak, The other Germany in Zinnemann's The Seventh Cross (1944), in: Eric Rentschler, German Film & Literature, New York & London, 1986 |
Jan-Christopher Horak, Postwar traumas in Klaren's Wozzeck (1947), in: Eric Rentschler, German Film & Literature, New York & London, 1986 |
Jan-Christopher Horak, Die Anti-Ufa, Amerikaner gründen die EFA, in: Hans-Michael Bock und Michael Töteberg (Hg.), Das Ufa-Buch, Frankfurt am Main, 1992 |
Jan-Christopher Horak, Wo liegt Deutschland?, "Hitlerjunge Quex" von Hans Steinhoff, in: Hans-Michael Bock und Michael Töteberg (Hg.), Das Ufa-Buch, Frankfurt am Main, 1992 |
Jan-Christopher Horak, Rin-Tin-Tin in Berlin or American cinema in Weimar, in: Film History, vol. 5, 1993 pp. 49-62 |
Jan-Christopher Horak, Munich's First Fiction Feature: DIE WAHRHEIT, in: Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Jan-Christopher Horak, German exile cinema, 1933-1950, in: Film History, vol. 8, 1996 pp. 373-389 |
Helmut G. Asper and Jan-Christopher Horak, Three smart guys: How a few penniless German émigrés saved Universal Studios, in: Film History, vol. 11, 1999 pp. 134-153 |
Jan-Christopher Horak, "Die Luxusnutte": Hedy Lamarrs Starimage in Hollywood, in: Armin Loacker (Hg.), Ekstase, Wien, 2001 |
Jan-Christopher Horak, Reisch führt Regie: Song of Scheherazade, in: Günter Krenn (Hg.), Walter Reisch, Wien, 2004 |
Jan-Christopher Horak, Richard Oswald im amerikanschen Exil, in: Jürgen Kasten/Armin Loacker (Hg.), Richard Oswald, Wien, 2005 |
Jan-Christopher Horak, Sauerkraut & Sausages with a Little Goulash: Germans in Hollywood, 1927, in: Film History, vol. 17, 2005 pp. 241-260 |
Jan-Christopher Horak, Wildlife documentaries: from classical forms to reality TV, in: Film History, vol. 18, 2006 pp. 459-475 |
Jan-Christopher Horak, The Gap Between 1 and 0, Digital Video and the Omissions of Film History, in: Spectator, nr. 1, 2007 pp. 29-41 |
Jan-Christopher Horak, A neglected genre: James Sibley Watson's avant-garde industrial films, in: Film History, vol. 20, 2008 pp. 35-48 |
Jan-Christopher Horak, Early American Avant-Garde Cinema, in: Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Author: | Jan-Christopher Horak |
Title: | The other Germany in Zinnemann's The Seventh Cross (1944) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 117-131 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
The Seventh Cross (1944) |
Author: | Jan-Christopher Horak |
Title: | Postwar traumas in Klaren's Wozzeck (1947) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 132-145 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Wozzeck |
Author: | Jan-Christopher Horak |
Title: | Die Anti-Ufa, Amerikaner gründen die EFA |
in: | Hans-Michael Bock und Michael Töteberg (Hg.), Das Ufa-Buch, Frankfurt am Main, 1992 |
Pp: | 78-79 |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Title: | Wo liegt Deutschland?, "Hitlerjunge Quex" von Hans Steinhoff |
in: | Hans-Michael Bock und Michael Töteberg (Hg.), Das Ufa-Buch, Frankfurt am Main, 1992 |
Pp: | 332-333 |
Illustrations: | yes |
Related film: |
Hitlerjunge Quex (1933) |
Author: | Jan-Christopher Horak |
Title: | Rin-Tin-Tin in Berlin or American cinema in Weimar |
in: | |
Magazine: | Film History |
Volume: | 5 |
Year: | 1992 |
Pp: | 49-62 |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Title: | Munich's First Fiction Feature: DIE WAHRHEIT |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 86-92 |
Illustrations: | yes |
Related film: |
Die Wahrheit |
Author: | Jan-Christopher Horak |
Title: | German exile cinema, 1933-1950 |
in: | |
Magazine: | Film History |
Volume: | 8 |
Year: | 1996 |
Pp: | 373-389 |
Illustrations: | yes |
Author: | Helmut G. Asper and Jan-Christopher Horak |
Linked author: | |
Title: | Three smart guys: How a few penniless German émigrés saved Universal Studios |
in: | |
Magazine: | Film History |
Volume: | 11 |
Year: | 1996 |
Pp: | 134-153 |
Illustrations: | yes |
Related persons: |
Deanna Durbin Joe Pasternak Henry Koster Felix Jackson |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | "Die Luxusnutte": Hedy Lamarrs Starimage in Hollywood |
in: | Armin Loacker (Hg.), Ekstase, Wien, 2001 |
Pp: | 385-423 |
Illustrations: | yes |
Related persons: |
Hedy Lamarr |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Reisch führt Regie: Song of Scheherazade |
in: | Günter Krenn (Hg.), Walter Reisch, Wien, 2004 |
Pp: | 218-241 |
Illustrations: | no |
Related film: |
Song of Scheherazade |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Richard Oswald im amerikanschen Exil |
in: | Jürgen Kasten/Armin Loacker (Hg.), Richard Oswald, Wien, 2005 |
Pp: | 407-431 |
Illustrations: | no |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Sauerkraut & Sausages with a Little Goulash: Germans in Hollywood, 1927 |
in: | |
Magazine: | Film History |
Volume: | 17 |
Year: | 2005 |
Pp: | 241-260 |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Wildlife documentaries: from classical forms to reality TV |
in: | |
Magazine: | Film History |
Volume: | 18 |
Year: | 2005 |
Pp: | 459-475 |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | The Gap Between 1 and 0, Digital Video and the Omissions of Film History |
in: | |
Magazine: | Spectator |
Nr.: | 1 |
Year: | 2007 |
Pp: | 29-41 |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | A neglected genre: James Sibley Watson's avant-garde industrial films |
in: | |
Magazine: | Film History |
Volume: | 20 |
Year: | 2007 |
Pp: | 35-48 |
Illustrations: | yes |
Related persons: |
James Sibley Watson |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Early American Avant-Garde Cinema |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 112-132 |
Bibliography: | yes |
Illustrations: | yes |