Richard Maltby Harmless Entertainment, Hollywood and the Ideology of Consensus Metuchen, N.J., 1983 |
||
Richard Maltby and Ian Craven Hollywood Cinema Cambridge, Mass., 1995 |
||
John Barnes The beginnings of the cinema in England, 1894-1901, Vol. 1 1894-1896 Exeter, 1998 |
||
Andrew Higson and Richard Maltby (eds.) Film Europe, Film America Exeter, 1999 |
||
Richard Maltby and Melvyn Stokes (eds.) Hollywood Abroad, Audiences and Cultural Exchange London, 2004 |
||
Richard Maltby, Daniel Biltereyst and Philippe Meers (eds.) Explorations in new cinema history, Approaches and case studies Malden, MA, 2011 |
||
Richard Maltby and Ruth Vasey, The International Language Problem: European Reactions to Hollywood's Conversion to Sound, in: David W. Ellwood, Rob Kroes (eds.), Hollywood in Europe, Amsterdam, 1994 |
Richard Maltby, "As Close to Real Life as Hollywood Ever Gets", Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s, in: Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Author: | Richard Maltby and Ruth Vasey |
Linked author: | |
Title: | The International Language Problem: European Reactions to Hollywood's Conversion to Sound |
in: | David W. Ellwood, Rob Kroes (eds.), Hollywood in Europe, Amsterdam, 1994 |
Pp: | 68-93 |
Illustrations: | no |
Author: | Richard Maltby |
Linked author: | |
Title: | "As Close to Real Life as Hollywood Ever Gets", Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 76-111 |
Bibliography: | yes |
Illustrations: | yes |