John Hill Sex, Class and Realism, British Cinema, 1956-63 London, 1986 |
||
Kevin Rockett, Luke Gibbons and John Hill Cinema and Ireland London, 1988 |
||
John Hill, Martin McLoone and Paul Hainsworth (eds.) Border Crossing, Film in Ireland, Britain and Europe Belfast and London, 1994 |
||
John Hill, Martin McLoone (eds.) Big Picture, Small Screen, The Relations Between Film and Television Luton, 1996 |
||
John Hill and Pamela Church Gibson (eds.) The Oxford Guide to Film Studies Oxford, 1998 |
||
John Hill British Cinema in the 1980s, Issues and Themes Oxford, 1999 |
||
John Hill Ken Loach, The Politics of Film and Television , 2011 |
||
John Hill (ed.) A companion to British and Irish cinema Hoboken, NJ, 2019 |
||
John Hill, Allegorising the nation, British gangster films of the 1980s, in: Steve Chibnall and Robert Murphy (eds.), British crime cinema, London, 1999 |
John Hill, British Cinema as National Cinema: Production, Audience and Representation, in: Robert Murphy (ed.), The British Cinema Book, London, 2009 |
John Hill, Ken Loach, The Social Navigator, in: Sight & Sound, nr. 10, 2011 pp. 24-28 |
Author: | John Hill |
Title: | Allegorising the nation, British gangster films of the 1980s |
in: | Steve Chibnall and Robert Murphy (eds.), British crime cinema, London, 1999 |
Pp: | 160-171 |
Bibliography: | yes |
Illustrations: | yes |
Author: | John Hill |
Title: | British Cinema as National Cinema: Production, Audience and Representation |
in: | Robert Murphy (ed.), The British Cinema Book, London, 2009 |
Pp: | 13-20 |
Bibliography: | yes |
Illustrations: | yes |
Author: | John Hill |
Title: | Ken Loach, The Social Navigator |
in: | |
Magazine: | Sight & Sound |
Nr.: | 10 |
Year: | 2011 |
Pp: | 24-28 |
Illustrations: | yes |
Related person: |
Ken Loach |