Margaret Dickinson and Sarah Street Cinema and State, The Film industry and the Government 1927-84 London, 1985 |
||
Sarah Street British National Cinema New York, 1997 |
||
Jill Forbes and Sarah Street (eds.) European cinema, An introduction Hampshire, [Eng.]; New York, 2000 |
||
Sarah Street British cinema in documents London; New York, 2000 |
||
Sarah Street Transatlantic crossings, British feature films in the United States New York, 2002 |
||
Sarah Street Black Narcissus London, 2005 |
||
Tim Bergfelder, Sue Harris, Sarah Street Film architecture and the transnational imagination, Set design in 1930s European cinema Amsterdam, 2007 |
||
Sarah Street, "The Dresses Had Told Me", Fashion and Femininity in Rear Window, in: John Belton (ed.), Alfred Hitchcock's Rear Window, Cambridge, 2000 |
Sarah Street, British Film and the National Interest, 1927-39, in: Robert Murphy (ed.), The British Cinema Book, London, 2009 |
Author: | Sarah Street |
Title: | "The Dresses Had Told Me", Fashion and Femininity in Rear Window |
in: | John Belton (ed.), Alfred Hitchcock's Rear Window, Cambridge, 2000 |
Pp: | 91-109 |
Illustrations: | yes |
Author: | Sarah Street |
Title: | British Film and the National Interest, 1927-39 |
in: | Robert Murphy (ed.), The British Cinema Book, London, 2009 |
Pp: | 185-191 |
Bibliography: | yes |
Illustrations: | yes |