R. Barton Palmer Hollywood's dark cinema, The American film noir New York, Toronto, New York, 1994 |
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R. Barton Palmer (ed.) Perspectives on film noir New York, London, 1996 |
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David Boyd and R. Barton Palmer (eds.) After Hitchcock, Influence, imitation, and intertextuality Austin, Tex., 2006 |
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R. Barton Palmer (ed.) Nineteenth-century American fiction on screen Cambridge, New York, 2007 |
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R. Barton Palmer Harper Lee's to kill a mockingbird, The relationship between text and film London, 2008 |
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R. Barton Palmer (ed.) Larger than life, Film stars of the 1950s New Brunswick, N.J., 2010 |
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R. Barton Palmer and Steven M. Sanders (eds.) The philosophy of Steven Soderbergh Lexington, 2010 |
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Murray Pomerance and R. Barton Palmer (eds.) A little solitaire, John Frankenheimer and American film New Brunswick, N.J., 2011 |
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William Robert Bray and R. Barton Palmer (eds.) Modern American drama on screen Cambridge; New York, 2013 |
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R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders (eds.) Hitchcock's moral gaze Albany, 2017 |
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R. Barton Palmer and Murray Pomerance (eds.) The many cinemas of Michael Curtiz Austin, 2018 |
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R. Barton Palmer, Cold War Thrillers, in: Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Author: | R. Barton Palmer |
Title: | Cold War Thrillers |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 243-266 |
Bibliography: | yes |
Illustrations: | yes |