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Mattias Frey, Postwall German cinema, New York, 2013 |
Author: | Eric Rentschler |
Title: | Introduction, Theoretical and historical considertions |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 1-8 |
Illustrations: | no |
Author: | Heide Schlüpmann |
Title: | The first Germanart film, Rye's The Student of Prague (1913) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 9 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der Student von Prag (1913) |
Author: | Judith Mayne |
Title: | Dracula in the twilight, Murnau's Nosferatu (1922) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 25-39 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Nosferatu, eine Symphonie des Grauens (1922) |
Author: | Thomas Elsaesser |
Title: | Lulu and the meter man, Pabst's Pandora's Box |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 40-59 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Die Büchse der Pandora (1929) |
Author: | Gertrud Koch |
Title: | Between two worlds, von Sternberg's The Blue Angel (1930) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 60-72 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der blaue Engel (1930) |
Author: | Alan Williams |
Title: | Reading Ophüls reading Schnitzler, Liebelei (1933) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 73-86 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Liebelei (1933) |
Author: | Marc Silberman |
Title: | Kleist in the Third Reich, Ucicky's The Broken Jug (1937) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 87-102 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der zerbrochene Krug (1937) |
Author: | Karsten Witte |
Title: | How Nazi cinema mobilizes the classics, Schweikart's Das Fräulein von Barnhelm (1940) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 103-116 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Das Fräulein von Barnhelm |
Author: | Jan-Christopher Horak |
Title: | The other Germany in Zinnemann's The Seventh Cross (1944) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 117-131 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
The Seventh Cross (1944) |
Author: | Jan-Christopher Horak |
Title: | Postwar traumas in Klaren's Wozzeck (1947) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 132-145 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Wozzeck |
Author: | Marc Silberman |
Title: | Semper fidelis, Staute's The Subject (1951) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 146-160 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der Untertan (1951) |
Author: | Russell A. Berman |
Title: | A return to arms, Käutner's The Captain of Köpenick (1956) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 161-175 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der Hauptmann von Köpenick (1956) |
Author: | Eric Rentschler |
Title: | Specularity and spectacle in Schlöndorff's Young Törless (1966) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 176-192 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Der junge Törless (1966) |
Author: | Miriam Hansen |
Title: | Space of history, language of time, Kluge's Yesterday Girl (1966) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 193-216 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Abschied von gestern - (Anita G.) |
Author: | Brigitte Peucker |
Title: | The invalidation of Arnim, Herzog's Signs of Life (1968) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 217-230 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Lebenszeichen |
Author: | Maureen Turim |
Title: | Textuality and theatricality in Brecht and Straub/Huillet, History Lessons (1972) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 231-245 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Geschichtsunterricht |
Author: | Dennis F. Mahoney |
Title: | A recast Goethe, Günther's Lotte in Weimar (1975) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 246-259 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Lotte in Weimar |
Author: | Timothy Corrigan |
Title: | The tension of translation, Handke's The Left-Handed Woman (1977) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 260-275 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Die linkshändige Frau |
Author: | Anton Kaes |
Title: | History, fiction, memory, Fassbinder's The Marriage of Maria Braun (1979) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 276-288 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Die Ehe der Maria Braun (1979) |
Author: | E. Ann Kaplan |
Title: | The search for the Mother/Land in Sanders-Brahms's Germany, Pale Mother (1980) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 289-304 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Deutschland bleiche Mutter |
Author: | Eric Rentschler |
Title: | Terms of dismemberment, the body in/and/of Fassbinder's Berlin Alexanderplatz (1980) |
in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
Pp: | 305-321 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Berlin Alexanderplatz (1980) |