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Wolfgang Fuhrmann, Imperial projections, New York, 2015 | |
Ivo Blom, Jean Desmet and the Early Dutch Film Trade, Amsterdam, 2003 |
Author: | Thomas Elsaesser |
Title: | Preface and Acknowledgements |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 7-8 |
Illustrations: | no |
Author: | Thomas Elsaesser |
Title: | Early German Cinema: A Second Life? |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 9-37 |
Illustrations: | yes |
Author: | Martin Loiperdinger |
Title: | The Kaiser's Cinema: An Archeology of Attitudes and Audiences |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 41-50 |
Illustrations: | yes |
Author: | Martin Koerber |
Title: | Oskar Messter, Film Pioneer: Early Cinema between Science, Spectacle, and Commerce |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 51-61 |
Illustrations: | yes |
Related person: |
Oskar Messter |
Author: | Frank Kessler and Sabine Lenk |
Linked author: | |
Title: | The French Connection: Franco-German Film Relations before World War I |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 62-71 |
Illustrations: | yes |
Author: | Evelyn Hampicke |
Linked author: | |
Title: | The Danish Influence: David Oliver and Nordisk in Germany |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 72-78 |
Illustrations: | yes |
Related person: |
David Oliver |
Author: | Peter Lähn |
Linked author: | |
Title: | Paul Davidson, the Frankfurt Film Scene, and AFGRUNDEN in Germany |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 79-85 |
Illustrations: | yes |
Related film: |
Afgrunden |
Author: | Jan-Christopher Horak |
Linked author: | |
Title: | Munich's First Fiction Feature: DIE WAHRHEIT |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 86-92 |
Illustrations: | yes |
Related film: |
Die Wahrheit |
Author: | Deniz Göktürk |
Linked author: | |
Title: | Moving Images of America in Early German Cinema |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 93-100 |
Illustrations: | yes |
Author: | Thomas Brandmeier |
Linked author: | |
Title: | Early German Film Comedy, 1895-1917 |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 103-113 |
Illustrations: | yes |
Author: | Karsten Witte |
Linked author: | |
Title: | The Spectator as Accomplice in Ernst Lubitsch's SCHUHPALAST PINKUS |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 114-117 |
Illustrations: | yes |
Related film: |
Schuhpalast Pinkus |
Author: | Heide Schlüpmann |
Linked author: | |
Title: | Asta Nielsen and Female Narration: The Early Films |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 118-122 |
Illustrations: | yes |
Related person: |
Asta Nielsen |
Author: | Michael Wedel |
Linked author: | |
Title: | Melodrama and Narrative Space: Franz Hofer's HEIDENRÖSLEIN |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 123-131 |
Illustrations: | yes |
Related film: |
Heidenröschen |
Author: | Tilo Knops |
Linked author: | |
Title: | Cinema from the Writing Desk: Detective Films in Imperial Germany |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 132-141 |
Illustrations: | yes |
Author: | Sebastian Hesse |
Linked author: | |
Title: | Ernst Reicher alias Stuart Webbs: King of the German Film Detectives |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 142-150 |
Illustrations: | yes |
Related person: |
Ernst Reicher |
Author: | Casper Tybjerg |
Linked author: | |
Title: | The Faces of Stellan Rye |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 151-159 |
Illustrations: | yes |
Related person: |
Stellan Rye |
Author: | Leonardo Quaresima |
Linked author: | |
Title: | HOMUNCULUS: A Project for a Modern Cinema |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 160-167 |
Illustrations: | yes |
Related film: |
Homunculus |
Author: | Jeanpaul Goergen |
Linked author: | |
Title: | Julius Pinschewer: A Trade-mark Cinema |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 168-174 |
Illustrations: | yes |
Related person: |
Julius Pinschewer |
Author: | Wolfgang Mühl-Benninghaus |
Linked author: | |
Title: | Newsreel Images of the Military and War, 1914-1918 |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 175-184 |
Illustrations: | yes |
Author: | Rainer Rother |
Linked author: | |
Title: | Learning from the Enemy: German Film Propaganda in World War I |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 185-191 |
Illustrations: | yes |
Author: | Kimberly O'Quinn |
Linked author: | |
Title: | The Reason and Magic of Steel: Industrial and Urban Discourses in DIE POLDIHÜTTE |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 192-201 |
Illustrations: | yes |
Related film: |
Das Stahlwerk der Poldihütte während des Weltkrieges |
Author: | Michael Wedel |
Linked author: | |
Title: | Max Mack: The Invisible Author |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 205-212 |
Illustrations: | yes |
Related person: |
Max Mack |
Author: | Jürgen Kasten |
Linked author: | |
Title: | From Peripetia to Plot Point: Heinrich Lautensack and ZWEIMAL GELEBT (1912) |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 213-218 |
Illustrations: | yes |
Related film: |
Zweimal gelebt |
Related person: |
Heinrich Lautensack |
Author: | Ennio Simeon |
Linked author: | |
Title: | Giuseppe Becce and RICHARD WAGNER: Paradoxes of the First German Film Score |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 219-224 |
Illustrations: | yes |
Related film: |
Richard Wagner |
Related person: |
Giuseppe Becce |
Author: | Barry Salt |
Linked author: | |
Title: | Early German Film: The Stylistics in Comparative Context |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 225-236 |
Illustrations: | yes |
Author: | Sabine Hake |
Linked author: | |
Title: | Self-Referentiality in Early German Cinema |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 237-245 |
Illustrations: | yes |
Author: | Ivo Blom |
Linked author: | |
Title: | Of Artists and Tourists: 'Locating' Holland in Two Early German Films |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 246-255 |
Illustrations: | yes |
Related film: |
Auf einsamer Insel Des Meeres und der Liebe Wellen |
Author: | Kristin Thompson |
Linked author: | |
Title: | Stylistic Expressivity in DIE LANDSTRASSE |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 256-263 |
Illustrations: | yes |
Related film: |
Die Landstraße |
Author: | Yuri Tsivian |
Linked author: | |
Title: | Two 'Stylists' of the Teens: Franz Hofer and Yevgenii Bauer |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 264-276 |
Illustrations: | yes |
Related persons: |
Franz Hofer Yevgeni Bauer |
Author: | Elena Dagrada |
Linked author: | |
Title: | The Voyeur at Wilhelm's Court: Franz Hofer |
in: | Thomas Elsaesser, Michael Wedel (eds.), A Second Life, Amsterdam, 1996 |
Pp: | 277-284 |
Illustrations: | yes |
Related persons: |
Franz Hofer |