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Mattias Frey, Postwall German cinema, New York, 2013 |
Linked author: | |
Title: | Introduction |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 1-19 |
Illustrations: | no |
Author: | John E. Davidson |
Linked author: | |
Title: | 'A kind of species memory': the time of the elephants in the space of Alexander Kluge's cinematic principle |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 20-38 |
Illustrations: | yes |
Related person: |
Alexander Kluge |
Author: | Christine Haase |
Linked author: | |
Title: | Downfall (2004): Hitler in the new millennium and the (ab)uses of history |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 39-56 |
Illustrations: | yes |
Related film: |
Der Untergang (2004) |
Author: | Owen Evans |
Linked author: | |
Title: | 'Wonderfully courageous'? The human face of a legend in Sophie Scholl: The Final Days (2005) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 57-76 |
Illustrations: | yes |
Related film: |
Sophie Scholl - Die letzten Tage (2005) |
Author: | Brad Prager |
Linked author: | |
Title: | Music after Mauthausen: re-presenting the Holocaust in Stefan Ruzowitzky's The Counterfeiters (2007) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 77-93 |
Illustrations: | yes |
Related film: |
Die Fälscher (2007) |
Author: | Nick Hodgin |
Linked author: | |
Title: | Aiming to please? Consensus and consciousness-raising in Wolfgang Becker's Good Bye, Lenin! (2003) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 94-112 |
Illustrations: | yes |
Related film: |
Good Bye Lenin! (2003) |
Author: | Paul Cooke |
Linked author: | |
Title: | Watching the Stasi: authenticity, Ostalgie and history in Florian Henckel von Donnersmarck's The Lives of Others (2006) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 113-129 |
Illustrations: | yes |
Related film: |
Das Leben der Anderen (2006) |
Author: | Chris Homewood |
Linked author: | |
Title: | From Baader to Prada: memory and myth in Uli Edel's The Baader Meinhof Complex (2008) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 130-148 |
Illustrations: | yes |
Related film: |
Der Baader Meinhof Komplex (2008) |
Author: | David Clarke |
Linked author: | |
Title: | The absent Heimat: Hans-Christian Schmid's Requiem (2006) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 149-165 |
Illustrations: | yes |
Related film: |
Requiem (2006) |
Author: | Rachel Palfreyman |
Linked author: | |
Title: | Play for today: situationist protests and uncanny encounters in Hans Weingartner's The Edukators (2004) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 166-185 |
Illustrations: | yes |
Related film: |
Die fetten Jahre sind vorbei (2004) |
Author: | Jaimey Fisher |
Linked author: | |
Title: | German Autoren dialogue with Hollywood? Refunctioning the horror genre in Christian Petzold's Yella (2007) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 186-203 |
Illustrations: | yes |
Related film: |
Yella |
Author: | Marco Abel |
Linked author: | |
Title: | 'A sharpening of our regard': realism, affect and the redistribution of the sensible in Valeska Grisebach's Longing (2006) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 204-222 |
Illustrations: | yes |
Related film: |
Sehnsucht |
Author: | Laura G. McGee |
Linked author: | |
Title: | Too late for love? The cinema of Andreas Dresen on Cloud 9 (2008) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 223-238 |
Illustrations: | yes |
Related film: |
Wolke 9 |
Author: | Daniela Berghahn |
Linked author: | |
Title: | 'Seeing everything with different eyes': the diasporic optic of Fatih Akin's Head-On (2004) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 239-256 |
Illustrations: | yes |
Related film: |
Gegen die Wand |
Author: | Alasdair King |
Linked author: | |
Title: | No place like Heimat: mediaspaces and moving landscapes in Edgar Reitz's Heimat 3 (2004) |
in: | Paul Cooke and Chris Homewood (eds.), New Directions in German Cinema, London; New York, 2011 |
Pp: | 257-278 |
Illustrations: | yes |
Related film: |
Heimat 3 - Chronik einer Zeitenwende |