|
Title: | Preface |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | xiii-xv |
Illustrations: | no |
Title: | Introduction to Volume II, American Film, 1929 to 1945 |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 3-22 |
Bibliography: | yes |
Illustrations: | no |
Author: | Matthew H. Bernstein |
Title: | Era of the Moguls, The Studio System |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 23-54 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Vito Zagarrio |
Title: | Re-Visioning Frank Capra |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 57-75 |
Bibliography: | yes |
Illustrations: | yes |
Related person: |
Frank Capra |
Author: | Richard Maltby |
Title: | "As Close to Real Life as Hollywood Ever Gets", Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 76-111 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Jan-Christopher Horak |
Title: | Early American Avant-Garde Cinema |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 112-132 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Paula Rabinowitz |
Title: | 1930s Documentary and Visual Culture |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 133-155 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Lisa Jarvinen |
Title: | Hollywood and Spanosh-Speaking Audiences |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 156-178 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Ruth Vasey |
Title: | "Let 'Em Have It", The Ironic Fate of the 1930s Hollywood Gangster |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 179-201 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Hans Jürgen Wulff |
Title: | Landscapes of Fantasy, Gardens of Deceit, The Adventure Film Between Colonialism and Tourism |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 202-225 |
Bibliography: | yes |
Illustrations: | yes |
Author: | William Rothman |
Title: | The Screwball Comedy |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 226-246 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Veronica Pravadelli |
Title: | Cinema and the Modern Woman |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 247-268 |
Bibliography: | yes |
Illustrations: | yes |
Author: | David M. Lugowski |
Title: | Queering the (New) Deal |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 269-295 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Kevin L. Stoehr |
Title: | The Hollywood A-Production Western |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 299-317 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Desirée J. Garcia |
Title: | There's No Place Like Home, The Hollywood Folk Musical |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 318-338 |
Bibliography: | yes |
Illustrations: | yes |
Author: | James Naremore |
Title: | The Magician, Orson Welles and Film Style |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 339-357 |
Bibliography: | yes |
Illustrations: | yes |
Related person: |
Orson Welles |
Author: | Kirsten Moana Thompson |
Title: | Classical Cel Animation, World War II, and Bambi |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 358-378 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
Bambi (1942) |
Author: | Krin Gabbard |
Title: | Friz Freleng's Jazz, Animation and Music at Warner Bros. |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 379-396 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Charles Wolfe |
Title: | Mapping Why We Fight, Frank Capra and the US Army Orientation Film in World War II |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 397-416 |
Bibliography: | yes |
Illustrations: | yes |
Related person: |
Frank Capra |
Author: | Saverio Giovacchini |
Title: | A Victory "Uneasy with Its Contrasts", The Hollywood Left Fights World War II |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 417-444 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Larry Ceplair |
Title: | Hollywod Unions and Hollywood Blacklists |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 445-464 |
Bibliography: | yes |
Illustrations: | no |
Author: | J.E. Smyth |
Title: | Hollywood as Historian, 1929-1945 |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 467-494 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Roy Grundmann |
Title: | Taking Stock at War's End, Gender, Genre, and Hollywood Labor in The Strange Love of Martha Ivers |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 495-529 |
Bibliography: | yes |
Illustrations: | yes |
Related film: |
The Strange Love of Martha Ivers (1946) |