The Wiley-Blackwell History of American Film. Volume II 1929 to 1945

Cynthia Lucia, Roy Grundmann, and Art Simon (eds.)



Author:
Title:The Wiley-Blackwell History of American Film. Volume II 1929 to 1945
Place:Malden, MA, Oxford, Chichester
Publisher:Wiley-Blackwell
Year:2012
Pages:xxi, 567
Index:yes
Bibliography: no
Illustrations: yes

Articles
xiii The Editors, Preface
3 , Introduction to Volume II, American Film, 1929 to 1945
23 Matthew H. Bernstein, Era of the Moguls, The Studio System
57 Vito Zagarrio, Re-Visioning Frank Capra
76 Richard Maltby, "As Close to Real Life as Hollywood Ever Gets", Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s
112 Jan-Christopher Horak, Early American Avant-Garde Cinema
133 Paula Rabinowitz, 1930s Documentary and Visual Culture
156 Lisa Jarvinen, Hollywood and Spanosh-Speaking Audiences
179 Ruth Vasey, "Let 'Em Have It", The Ironic Fate of the 1930s Hollywood Gangster
202 Hans Jürgen Wulff, Landscapes of Fantasy, Gardens of Deceit, The Adventure Film Between Colonialism and Tourism
226 William Rothman, The Screwball Comedy
247 Veronica Pravadelli, Cinema and the Modern Woman
269 David M. Lugowski, Queering the (New) Deal
299 Kevin L. Stoehr, The Hollywood A-Production Western
318 Desirée J. Garcia, There's No Place Like Home, The Hollywood Folk Musical
339 James Naremore, The Magician, Orson Welles and Film Style
358 Kirsten Moana Thompson, Classical Cel Animation, World War II, and Bambi
379 Krin Gabbard, Friz Freleng's Jazz, Animation and Music at Warner Bros.
397 Charles Wolfe, Mapping Why We Fight, Frank Capra and the US Army Orientation Film in World War II
417 Saverio Giovacchini, A Victory "Uneasy with Its Contrasts", The Hollywood Left Fights World War II
445 Larry Ceplair, Hollywod Unions and Hollywood Blacklists
467 J.E. Smyth, Hollywood as Historian, 1929-1945
495 Roy Grundmann, Taking Stock at War's End, Gender, Genre, and Hollywood Labor in The Strange Love of Martha Ivers

Title:Preface
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:xiii-xv
Illustrations:  no
Title:Introduction to Volume II, American Film, 1929 to 1945
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:3-22
Bibliography:yes
Illustrations:  no
Author:Matthew H. Bernstein
Title:Era of the Moguls, The Studio System
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:23-54
Bibliography:yes
Illustrations:  yes
Author:Vito Zagarrio
Title:Re-Visioning Frank Capra
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:57-75
Bibliography:yes
Illustrations:  yes
Related person:   Frank Capra
Author:Richard Maltby
Title:"As Close to Real Life as Hollywood Ever Gets", Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:76-111
Bibliography:yes
Illustrations:  yes
Author:Jan-Christopher Horak
Title:Early American Avant-Garde Cinema
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:112-132
Bibliography:yes
Illustrations:  yes
Author:Paula Rabinowitz
Title:1930s Documentary and Visual Culture
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:133-155
Bibliography:yes
Illustrations:  yes
Author:Lisa Jarvinen
Title:Hollywood and Spanosh-Speaking Audiences
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:156-178
Bibliography:yes
Illustrations:  yes
Author:Ruth Vasey
Title:"Let 'Em Have It", The Ironic Fate of the 1930s Hollywood Gangster
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:179-201
Bibliography:yes
Illustrations:  yes
Author:Hans Jürgen Wulff
Title:Landscapes of Fantasy, Gardens of Deceit, The Adventure Film Between Colonialism and Tourism
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:202-225
Bibliography:yes
Illustrations:  yes
Author:William Rothman
Title:The Screwball Comedy
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:226-246
Bibliography:yes
Illustrations:  yes
Author:Veronica Pravadelli
Title:Cinema and the Modern Woman
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:247-268
Bibliography:yes
Illustrations:  yes
Author:David M. Lugowski
Title:Queering the (New) Deal
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:269-295
Bibliography:yes
Illustrations:  yes
Author:Kevin L. Stoehr
Title:The Hollywood A-Production Western
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:299-317
Bibliography:yes
Illustrations:  yes
Author:Desirée J. Garcia
Title:There's No Place Like Home, The Hollywood Folk Musical
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:318-338
Bibliography:yes
Illustrations:  yes
Author:James Naremore
Title:The Magician, Orson Welles and Film Style
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:339-357
Bibliography:yes
Illustrations:  yes
Related person:   Orson Welles
Author:Kirsten Moana Thompson
Title:Classical Cel Animation, World War II, and Bambi
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:358-378
Bibliography:yes
Illustrations:  yes
Related film: Bambi (1942)
Author:Krin Gabbard
Title:Friz Freleng's Jazz, Animation and Music at Warner Bros.
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:379-396
Bibliography:yes
Illustrations:  yes
Author:Charles Wolfe
Title:Mapping Why We Fight, Frank Capra and the US Army Orientation Film in World War II
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:397-416
Bibliography:yes
Illustrations:  yes
Related person:   Frank Capra
Author:Saverio Giovacchini
Title:A Victory "Uneasy with Its Contrasts", The Hollywood Left Fights World War II
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:417-444
Bibliography:yes
Illustrations:  yes
Author:Larry Ceplair
Title:Hollywod Unions and Hollywood Blacklists
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:445-464
Bibliography:yes
Illustrations:  no
Author:J.E. Smyth
Title:Hollywood as Historian, 1929-1945
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:467-494
Bibliography:yes
Illustrations:  yes
Author:Roy Grundmann
Title:Taking Stock at War's End, Gender, Genre, and Hollywood Labor in The Strange Love of Martha Ivers
in:Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012
Pp:495-529
Bibliography:yes
Illustrations:  yes
Related film: The Strange Love of Martha Ivers (1946)