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Linked author: | |
Title: | Silencing Cinema: An Introduction |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 1-12 |
Illustrations: | no |
Linked author: | |
Title: | The Cinemas of Italian Migration: From Il cammino della speranza (1950) to Into Paradiso (2010) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 1-18 |
Illustrations: | no |
Author: | Laura Wittern-Keller |
Linked author: | |
Title: | All the Power of the Law: Government Film Censorship in the United States |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 15-32 |
Illustrations: | yes |
Author: | Laura Rascaroli |
Linked author: | |
Title: | Solid Borders, Fluid Nation: On Pietro Germi's Il cammino della speranza (1950) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 21-30 |
Illustrations: | no |
Related film: |
Il cammino della speranza |
Author: | Jon Lewis |
Linked author: | |
Title: | "American morality is not to be trifled with": Content Regulation in hollywood after 1968 |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 33-47 |
Illustrations: | yes |
Author: | Veronica Pravadelli |
Linked author: | |
Title: | Identity, Masculinity, and Postcolonial Scenarios in Gianni Amelio's Lamerica (1994) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 31-40 |
Illustrations: | no |
Related film: |
Lamerica (1994) |
Author: | Pierre Véronneau |
Linked author: | |
Title: | When Cinema Faces Social Values: One Hundred Years of Film Censorship in Canada |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 49-62 |
Illustrations: | yes |
Author: | Alessandra Di Maio |
Linked author: | |
Title: | The Mediterranean, or Where Africa Does (Not) Meet Italy: Andrea Segre's A Sud di Lampedusa (2006) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 41-52 |
Illustrations: | no |
Author: | Francisco Peredo-Castro |
Linked author: | |
Title: | Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorship |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 63-78 |
Illustrations: | yes |
Author: | Daniel Winkler |
Linked author: | |
Title: | New Italian Migrant Cinema between Cinematic Nostalgia and Trash (Bellocchio, Marra, Torre) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 53-67 |
Illustrations: | yes |
Related persons: |
Marco Bellocchio Vincenzo Marra Roberta Torre |
Author: | Martin Loiperdinger |
Linked author: | |
Title: | Film Censorship in Germany: Continuity and Change through Five Political Systems |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 81-96 |
Illustrations: | no |
Author: | Alice Bardan and Áine O'Healy |
Linked author: | |
Title: | Transnational Mobility and Precarious Labour in Post-Cold War Europe: The Spectral Disruptions of Carmine Amoroso's Cover Boy (2006) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 69-90 |
Illustrations: | no |
Related film: |
Cover boy: L'ultima rivoluzione |
Author: | Richard Taylor |
Linked author: | |
Title: | Seeing Red: Political Control of Cinema in the Soviet Union |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 97-108 |
Illustrations: | no |
Author: | Francesca Esposito |
Linked author: | |
Title: | "The Journey from a Poor Country." Attempts to Escape Italy's Economic and Moral Poverty in Recent Documentaries |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 91-104 |
Illustrations: | yes |
Author: | Zhiwei Xiao |
Linked author: | |
Title: | Prohibition, Politics, and Nation-Building: A History of Film Censorship in China |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 109-130 |
Illustrations: | no |
Author: | Alberto Zambenedetti |
Linked author: | |
Title: | Modernizing Italian Migration Cinema: Film Auteurs and the Economic Boom |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 107-122 |
Illustrations: | no |
Author: | Dilek Kaya Mutlu |
Linked author: | |
Title: | Film Censorship during the Golden Era of Turkish Cinema |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 131-146 |
Illustrations: | no |
Author: | Sophie Rudolph |
Linked author: | |
Title: | "C'era una volta in Svizzera" - "The Italians" in Swiss Cinema |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 123-140 |
Illustrations: | yes |
Author: | Julian Petley |
Linked author: | |
Title: | The Censor and the State in Britain |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 149-165 |
Illustrations: | no |
Author: | Camille Gendrault |
Linked author: | |
Title: | Playing with Stereotypes: Martin Scorsese's Italianamerican (1974) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 141-155 |
Illustrations: | no |
Related film: |
Italianamerican |
Author: | David Newman |
Linked author: | |
Title: | British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settlement, 1916-1941 |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 167-190 |
Illustrations: | yes |
Author: | Gudrun Rath |
Linked author: | |
Title: | Cinema, Migration and Crisis: Sandra Gugliotta's Un día de suerte (2002) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 137-170 |
Illustrations: | yes |
Related film: |
Un dia de suerte |
Author: | Nandana Bose |
Linked author: | |
Title: | "We do not certify backwards": Film Censorship in Postcolonial India |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 191-206 |
Illustrations: | no |
Author: | Aurora E. Rodonò |
Linked author: | |
Title: | Nomadic Narratives: Migration Cinema in Germany and Italy |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 171-197 |
Illustrations: | yes |
Author: | Kevin Rockett |
Linked author: | |
Title: | Irish Film Censorship: Refusing the Fractured Family of Foreign Films |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 207-220 |
Illustrations: | no |
Author: | Rada Bieberstein |
Linked author: | |
Title: | "Mine vaganti": Film Theoretical Considerations on Transculturality and the Cinema of Ferzan Ozpetek |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 201-229 |
Illustrations: | yes |
Related persons: |
Ferzan Ozpetek |
Author: | Carmen McCain |
Linked author: | |
Title: | Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 223-240 |
Illustrations: | yes |
Author: | Doris Pichler |
Linked author: | |
Title: | The (Migrant) Other and Crime: La giusta distanza (2007) by Carlo Mazzacurati as a Multilayered Depiction of a Clichéd Connection |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 231-245 |
Illustrations: | yes |
Related film: |
La giusta distanza |
Author: | Gregory D. Black |
Linked author: | |
Title: | The Legion of Decency and the Movies |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 241-254 |
Illustrations: | no |
Author: | Jörg Metelmann |
Linked author: | |
Title: | "È giusto vivere così?" Contemporary Melodrama and Migration |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 247-262 |
Illustrations: | no |
Author: | Daniela Treveri Gennari |
Linked author: | |
Title: | Blessed Cinema: State and Catholic Censorship in Postwar Italy |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 255-271 |
Illustrations: | yes |
Author: | Gaoheng Zhang |
Linked author: | |
Title: | Comedy Film and Immigration to Italy: Reading Masculinity, Hybridity, and Satire in Lezioni di cioccolato (2007), Questa notte è ancora nostra (2008), and Into Paradiso (2010) |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 263-279 |
Illustrations: | no |
Author: | Daniel Biltereyst |
Linked author: | |
Title: | Film Censorship in a Liberal Free Market Democracy: Strategies of Film Control and Audiences' Experiences of Censorship in Belgium |
in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
Pp: | 273-291 |
Illustrations: | yes |