|
Title: | Preface |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | xv-xvii |
Illustrations: | no |
Title: | Introduction to Volume IV, American Film, 1976 to the Present |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 3-31 |
Bibliography: | yes |
Illustrations: | no |
Author: | Thomas Schatz |
Title: | Seismic Shifts in the American Film Industry |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 32-52 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Geoff King |
Title: | Independent Film, 1980s to the Present |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 53-74 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Janet K. Cutler |
Title: | Reclaiming the Black Family, Charles Burnett, Julie Dash, and the "L.A. Rebellion" |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 77-102 |
Bibliography: | yes |
Illustrations: | yes |
Related persons: |
Charles Burnett Julie Dash |
Author: | Lucy Fischer |
Title: | Feminism, Cinema, and Film Criticism |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 103-127 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Scott MacDonald |
Title: | American Avant-Garde Cinema from 1970 to the Present |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 128-153 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Adam Lowenstein |
Title: | A Reintroduction to the American Horror Film |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 154-176 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Ina Rae Hark |
Title: | Charting the Middle Course, The Star Trek Films and 1980s Science Fiction Cinema |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 177-194 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Susan Jeffords |
Title: | Back to the Future, Hollywood and Reagan's America |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 195-209 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Thomas Doherty |
Title: | Eros and Thanatos, Hollywood and the Teenage Marketplace |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 210-232 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Robert A. Rosenstone |
Title: | Oliver Stone, Hollywood Historian |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 235-254 |
Bibliography: | yes |
Illustrations: | yes |
Related persons: |
Oliver Stone |
Author: | Keith Harris |
Title: | Black Crossover Cinema |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 255-271 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Michael Bronski |
Title: | The Queer 1990s, The Challange and Failure of Radical Change |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 272-295 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Barbara Klinger |
Title: | 24/7, Cable Television, Hollywood, and the Narrative Feature Film |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 296-317 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Kristen Whissel |
Title: | Plasmatics and Prisons, The Morph and the Spectacular Emergence of CGI |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 318-338 |
Illustrations: | yes |
Author: | Patricia Aufderheide |
Title: | Mainstream Documentary Since 1999 |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 341-364 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Michael Sicinski |
Title: | Truthiness Is Stranger Than Fictition, The "New Biopic" |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 365-385 |
Illustrations: | yes |
Author: | William Luhr |
Title: | The Coen Brothers and the Post-Hollywood Studio Era |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 386-405 |
Bibliography: | yes |
Illustrations: | yes |
Related persons: |
Ethan Coen Joel Coen |
Author: | Kenneth Chan |
Title: | "Asia" as Global Hollywood Commodity |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 406-426 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Bart Beaty |
Title: | The Blockbuster Superhero |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 427-447 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Paul Wells |
Title: | Computer Animation, Margins to Mainstream |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 448-471 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Susan L. Carruthers |
Title: | Limited Engagement, The Iraq War on Film |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 472-494 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Stephen Prince |
Title: | American Film After 9/11 |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 495-513 |
Bibliography: | yes |
Illustrations: | yes |
Author: | J.D. Connor |
Title: | The Biggest Independent Pictures Ever Made, Industrial Reflexivity Today |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 517-541 |
Bibliography: | yes |
Illustrations: | yes |
Author: | Jon Lewis |
Title: | The End of Cinema (As We Know It), American Movies and Movie Business, 1995-2009 |
in: | Cynthia Lucia, Roy Grundmann, and Art Simon (eds.), The Wiley-Blackwell History of American Film, Malden, MA, Oxford, Chichester, 2012 |
Pp: | 542-561 |
Illustrations: | yes |