Books from 2000

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Jack Stevenson, editor
Fleshpot, Cinema's sexual myth makers & taboo breakers
Manchester, England, 2000
Ian Aitken
Alberto Cavalcanti, Realism, surrealism and national cinemas
Trowbridge, 2000
David Sterritt (ed.)
Robert Altman, interviews
Jackson, 2000
Dudley Andrew and Carole Cavanaugh
Sansho Dayu
London, 2000
Ed Andreychuk
Burt Lancaster, A filmography and biography
Jefferson, N.C., 2000
Richard Armstrong
Billy Wilder, American film realist
Jefferson, N.C., 2000
Virginia Aronson
Drew Barrymore
Philadelphia, PA, 2000
John Ashbrook
Terry Gilliam
Harpeden, 2000
John Ashbrook
Brian de Palma
, 2000
Justine Ashby and Andrew Higson (eds.)
British Cinema, Past and Present
London, 2000
Steven Bach
Marlene Dietrich, Life and Legend
, 2000
William Baer (ed.)
Elia Kazan, Interviews
Jackson, 2000
Michelle Banks (ed.)
Magill's Cinema Annual 2000, 19th Edition. A Survey of the Films of 1999
Detroit, New York, [..], 2000
Christina Bartz
Zur Erzählstruktur der Remaskulinisierung
Frankfurt am Main [u.a.], 2000
Jeanine Basinger
Silent Stars
Hanover and London, 2000
John Baxter
Woody Allen, a biography
New York, 2000
Hans Beerekamp, Mariska Graveland, Harry Peters (eds.)
Filmjaarboek 2000, Alle bioscoopfilms van 2000
Amsterdam, 2000
John Belton (ed.)
Alfred Hitchcock's Rear Window
Cambridge, 2000
Phil Berger
The last laugh, the world of stand-up comics
New York, 2000
Peter Biskind
Seeing is believing, How Hollywood taught us to stop worrying and love the fifties
New York, 2000
David Bordwell
Planet Hong Kong, Popular cinema and the art of entertainment
Cambridge, Mass., 2000
Stephen Bottomore
The Titanic and silent cinema
East Sussex, 2000
Douglas Brode
Shakespeare in the Movies, From the Silent Era to Shakespeare in Love
Oxford, 2000
Mikita Brottman (editor)
Jack Nicholson, Movie Top Ten
, 2000
Kate Buford
Burt Lancaster, An American Life
, 2000
Edward Buscombe
The Searchers
London, 2000
Ray Carney and Leonard Quart
The Films of Mike Leigh
Cambridge, 2000
Deborah Cartmell
Interpreting Shakespeare on Screen
Basingstoke, Hampshire, 2000
Steve Chibnall
J. Lee Thompson
Manchester; New York, New York, 2000
Ian Christie
A Matter of Life and Death
London, 2000
David Cochran
America Noir, Underground Writers and Filmmakers of the Postwar Era
Washington and London, 2000
Guido Convents
Van kinetoscoop tot café-ciné, de eerste jaren van de film in België, 1894-1908
Leuven, 2000
David A. Cook
Lost illusions, American cinema in the shadow of Watergate and Vietnam, 1970-1979
New York, 2000
Darius Cooper
The cinema of Satyajit Ray, Between tradition and modernity
Cambridge, UK; New York, 2000
Peter Cowie
The Apocalypse now book
London, 2000
Bill Crawford
Adam Sandler, America's comedian
New York, 2000
Robert C. Cumbow
Order in the Universe, The Films of John Carpenter
, 2000
Alan Dale
Comedy Is a Man in Trouble, Slapstick in American Movies
Minneapolis - London, 2000
Kate Daubney
Max Steiner's Now, voyager, A film score guide
Westport, CT, 2000
Lea DeLaria with Maggie Cassella
Lea's book of rules for the world
New York, N.Y., 2000
Anne Delbée
Le sourire de Sarah Bernhardt
Paris, 2000
Charles Drazin
In search of the Third man
New York, 2000
Jean Drum and Dale D. Drum
My Only Great Passion, The Life and Films of Carl Th. Dreyer
Lanham, Md, 2000
David Ehrenstein
Open Secret, Gay Hollywood 1928-2000
New York, 2000
Linda C. Ehrlich
An Open Window, The Cinema of Victor Erice
, 2000
Thomas Elsaesser
Metropolis
London, 2000
Thomas Elsaesser
Weimar Cinema and After, Germany's Historical Imaginary
London, 2000
Peter W. Engelmeier (ed.)
Icons of film, The 20th century
Munich; New York, 2000
Scott Eyman
Ernst Lubitsch, Laughter in Paradise
Baltimore and London, 2000
Mario Falsetto
Personal Visions, Conversations with Contemporary Film Directors
Los Angeles, 2000
Ronald Fields with Shaun O'L. Higgins
Never give a sucker an even break, W.C. Fields on business
Paramus, NJ, 2000
Dennis Fischer
Science Fiction Film Directors, 1895-1998
Jefferson, North Carolina, and London, 2000
Gregory Flaxman (ed.)
The brain is the screen, Deleuze and the philosophy of cinema
Minneapolis, 2000
E.J. Fleming
Hollywood death and scandal sites, Sixteen driving tours with directions and the full story, from Tallulah Bankhead to River Phoenix
Jefferson, N.C., 2000
Jill Forbes and Sarah Street (eds.)
European cinema, An introduction
Hampshire, [Eng.]; New York, 2000
David Forgacs
Rome Open City, (Roma citta aperta)
London, 2000
Jo Fox
Filming Women in the Third Reich
Oxford - New York, 2000
Christopher Frayling
Sergio Leone, Something to Do With Death
, 2000
Michael Freedland
Doris Day, the illustrated biography
London, 2000
Kurt Fricke
Spiel am Abgrund, Heinrich George, eine politische Biographie
Halle (Saale), 2000
Lester D. Friedman
Bonnie and Clyde
London, 2000
Lester D. Friedman and Brent Notbohm (eds.)
Steven Spielberg, Interviews
Jackson, 2000
Poshek Fu, David Desser (eds.)
The Cinema of Hong Kong, History, arts, identity
Cambridge, UK ;New York, NY, 2000
Leah & Elina Furman
Happily ever after, The Drew Barrymore story
New York, 2000
Edward Gallafent
Astaire & Rogers, A Movie Book
Dumfriesshire, 2000
Suranjan Ganguly
Satyajit Ray, In Search of the Modern
, 2000
Christine Geraghty
British Cinema in the Fifties
London, 2000
Fabien S. Gerard, T. Jefferson Kline, and Bruce Sklarew (eds.)
Bernardo Bertolucci, Interviews
Jackson, 2000
Bill Gibson
No Film in My Camera
, 2000
Eve Golden
Anna Held and the birth of Ziegfeld's Broadway
Lexington, 2000
Mel Gordon
Voluptuous Panic, The Erotic World of Weimar Berlin
Venice, Ca., 2000
Vernon Gras and Marguerite Gras (eds.)
Peter Greenaway, Interviews
Jackson, 2000
Lawrence Grobel
The Hustons, The life and times of a Hollywood dynasty
New York, N.Y., 2000
Tom Gunning
The Films of Fritz Lang, Allegories of Vision and Modernity
London, 2000
Claudia Gäbler
Theater an Ort und Stelle, eine Analyse des Beziehungsgeflechts zwischen Theaterarbeit und Lebensraum am Beispiel des AGORA Theaters
Frankfurt am Main [u.a.], 2000
Steve Hanson and Patrick King Hanson
Lights, Camera, Action, A History of the Movies in the Twentieth Century
Los Angeles, 2000
Sue Harper
Women in British Cinema, Mad, Bad and Dangerous to Know
London, 2000
Susan Hayward and Ginette Vincendeau (eds.)
French film, Texts and contexts
London; New York, 2000
Renate Hehr
Margarethe von Trotta, Filmmaking as liberation
Stuttgart, 2000
Adolf Heinzlmeier, Berndt Schulz
Lexikon der deutschen Film- und TV-Stars
Berlin, 2000
Jörg Helbig
Chronik des britischen Films
Trier, 2000
Stephen Herbert
A History of Pre-Cinema
London, 2000
Charlton Heston
To Be a Man, Letters to My Grandson
, 2000
Bart Hofstede
In het wereldfilmstelsel, Identiteit en organisatie van de Nederlandse film sedert 1945
Delft, 2000
Heddy Honigmann
Vijf documentaires
Amsterdam, 2000
Gary Indiana
Salò or The Hundred and Twenty Days of Sodom
London, 2000
Lars Jacob
Apropos Marlene Dietrich
Frankfurt am Main, 2000
Eric James
Making Music with Charlie Chaplin, An Autobiography
Lanham, Maryland, and London, 2000
H. Paul Jeffers
Sal Mineo, His life, murder, and mystery
New York, 2000
Paul M. Jensen
Hitchcock becomes Hitchcock, The British years
Baltimore, MD, 2000
Claudette Joannis
Sarah Bernhardt, reine de l'attitude et princesse des gestes
Paris, 2000
Mieke de Jong
Ochtendzwemmers
Utrecht, 2000
Lothar R. Just
Film-Jahrbuch 2000, Alle Erstaufführungen im Kino, Fernsehen, Video
München, 2000
Anton Kaes
M
London, 2000
Stefan Kanfer
Groucho, The Life and Times of Julius Henry Marx
New York, 2000
E. Ann Kaplan (ed.)
Feminism and film
Oxford; New York, 2000
Welf Kienast, Armin Rainer
Terry Gilliam und seine Filme
, 2000
Ernst Kieninger,Nikola Langreitr, Armin Loacker, Klara Löffler (hg.)
1. April 2000
Wien, 2000
Annette Kilzer (Hg.)
Bruce Willis
Berlin, 2000
Myrto Konstantarakos (ed.)
Spaces in European cinema
Exeter, England; Portland, OR, 2000