David Greven Intimate violence, Hitchcock, sex, and queer theory Oxford, 2017 |
||
David Thomson Have you seen?, A personal introduction to 1,000 films New York, 2008 |
||
Jürgen Müller (ed.) Movies of the 60s Köln, London, Los Angeles, Madrid, Paris, Tokyo, 2005 |
||
Robert J. Yanal Hitchcock as philosopher Jefferson, N.C., 2005 |
||
Robert A. Harris & Michael S. Lasky The Films of Alfred Hitchcock Secaucus, NJ, 1979 |
||
Donald Spoto The Art of Alfred Hitchcock, Fifty Years of His Motion Pictures New York, 1976 |
||
Robin Wood Hitchcock's Films New York, 1969 |
K.J. Donnelly, Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964), in: Steven Rawle and K.J. Donnelly (eds.), Partners in suspense, Manchester, 2017 |
Florence Jacobowitz, Hitchcock and Feminist Criticism: From Rebecca to Marnie, in: Thomas Leitch and Leland Poague (eds.), A Companion to Alfred Hitchcock, Chichester, West Sussex, UK; Malden, MA, 2011 |
Judith Roof, The Perfect Enigma, in: Susan M. Griffin and Alan Nadel (eds.), The Men Who Knew Too Much, New York, 2012 |