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Simone Odino, 'God, it'll ne hard topping the H-bomb': Kubrick's search for a new obsession in the path from Dr. Strangelove to 2001: A Space Odyssey, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
Suparno Banerjee, 2001: A Space Odyssey: A transcendental trans-locution, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
Dru Jeffries, Four-colour Kubrick: Jack Kirby's 2001: A Space Odyssey as adaptation and extension, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
James Fenwick, Performing the man-ape in 'The Dawn of Man': Daniel Richter and The American Mime Theatre, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
Vincent Jaunas, Life functions terminated: Actor's performances and the aesthetics of distanced subjectivity in 2001: A Space Odyssey, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
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Cynthia J. Miller and A. Bowdoin Van Riper, Homo machinus: Kubrick's two HALs and the evolution of monstrous machines, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
Dominic Janes, Clarke and Kubrick's 2001: A queer odyssey, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
Nils Daniel Peiler, 'But as to whether or not he has feelings is something O don't think anyone can truthfully answer': The image of the astronaut in 2001: A Space Odyssey and its lasting impact, in: James Fenwick (ed.), Understanding Kubrick's 2001 a space odyssey, Bristol, UK; Chicago, 2018 |
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