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David Thomson Have you seen?, A personal introduction to 1,000 films New York, 2008 |
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Geoff Mayer and Brian McDonnell Encyclopedia of Film Noir Westport, Connecticut/London, 2007 |
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Jürgen Müller Movies of the 40s Köln, London, Los Angeles, Madrid, Paris, Tokyo, 2005 |
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William Hare Early Film Noir, Greed, Lust and Murder Hollywood Style Jefferson, North Carolina, and London, 2003 |
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Roger Ebert The Great Movies 2003 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 1. Films Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Danny Peary Alternate Oscars, One Critic's Defiant Choices for Best Picture, Actor, and Actress - From 1927 to the Present New York, 1993 |
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James Robert Parish and Michael R. Pitts The Great Detective Pictures Metuchen, N.J. & London, 1990 |
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Tony Thomas The Films of the Forties Secaucus, NJ, 1980 |
Michael F. Keaney Film Noir Guide, 745 Films of the Classic Era, 1940-1959 Jefferson, North Carolina, and London, 2003 |
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Robert Beck The Edward G. Robinson Encyclopedia Jefferson, North Carolina, and London, 2002 |
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Paul Michael, editor in chief. James Robert Parish, associate editor The American movies reference book, The sound era Englewood Cliffs, N.J.,, 1969 |
Simon Braund, Double Indemnity, in: Empire, nr. 264 (June), 2011 pp. 152-153 |
Robert Porfirio, Billy Wilder (1906- ), in: Robert Porfirio, Alain Silver and James Ursini (eds.), Film noir reader 3, New York, 2002 |
James Ursini, John F. Seitz (1892-1979), in: Robert Porfirio, Alain Silver and James Ursini (eds.), Film noir reader 3, New York, 2002 |
Kim Newman, The 10 Best Ever Screenplays, in: Empire, nr. 186, 2004 pp. 72-73 |
John Caps, Soundtracks 101, Essential movie music: a listener's guide, in: Filmcomment, nr. 6 (Nov/Dec), 2003 pp. 31-49 |
Ian Freer, Double Indemnity/The Lost Weekend, in: Empire, nr. 277 (July), 2012 pp. 146-147 (DVD review) |