Lawrence P. Jackson Hold it real still, Clint Eastwood, race, and the cinema of the American West Baltimore, 2022 |
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Aliza S. Wong Spaghetti westerns, A viewer's guide Lanham, Maryland, 2019 |
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Adilifu Nama Race on the QT, Blackness and the films of Quentin Tarantino Austin, 2015 |
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Melvyn Stokes American History through Hollywood Film, From the Revolution to the 1960s London, New Delhi, New York, Sydney, 2013 |
Rob Kroes, A Spaghetti Southern: Landscapes of Fear in Django Unchained, in: Marek Paryz, John R. Leo (eds.), The post-2000 film western, Houndmills, Basingstoke, Hampshire; New York, NY, 2015 |
Beth Jane Toren, Featuring Atrocity & H8tful Heritage, Tarantino's Revision of Civil War Mythology, in: Douglas Brode, Shea T. Brode, and Cynthia J. Miller (eds.), The American Civil War on film and TV, Lanham, Maryland, 2017 |
Django Unchained, in: Empire, nr. 277 (July), 2012 pp. 12-17 |
Damon Wise, Unchained melodies, The story behind the Django soundtrack, in: Empire, nr. 284 (February), 2013 pp. 153 |
Kim Newman, Trail blazer, in: Sight & Sound, nr. 2 (February), 2013 pp. 34-37 |
Tim Lucas, Going back to my roots, in: Sight & Sound, nr. 2 (February), 2013 pp. 38-39 |
Geoffrey O'Brien, Heart of Dixie, in: Filmcomment, nr. 1 (January/February), 2013 pp. 30-33 |
Dan Jolin, Django Unchained, in: Empire, nr. 284 (February), 2013 pp. 42-44 |
Nick Pinkerton, Django Unchained, in: Sight & Sound, nr. 2 (February), 2013 pp. 90-91 |