Paramount has been fussing with this idea for many months. As a result, this backstage trifle as a peg on which to hang big, girly scenes is stone-cold turkey, for all it has the use of the Ziegfeld name and stars. The coldly beautiful Mary Eaton, as the girl who breaks into the "Follies" to get glorified, is merely cold and beautiful. The fragile story is left hanging before the picture is half over. Only an Eddie Cantor comedy bit marks the grave of an idea that was left to die. All Talkie.