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Richard Koszarski
Oral history
3
Kevin Brownlow
Lewis Milestone: From transcript to film script
5
John Fell
Rudolf Arnheim in discussion with film students and faculty, San Francisco State College, 7 May 1965
11
Richard Koszarski
'A Lion in Your Lap - A Lover in Your Arns': Arch Oboler and Bwana Devil
17
Robert S. Birchard
Conversations with Irvin V. Willat
29
Alan Marcus
Uncovering an auteur: Fred Zinnemann
49
William A. Crespinel
Pioneer days in colour motion pictures with William T. Crespinel
57
Ronald S. Magliozzi
Witnessing the development of independent film culture in New York: an interview with Charles L. Turner
72
Sean P. Holmes
The Hollywood star system and the regulation of actors' labour, 1916-1934
97
Patrick Mullins
Ethnic cinema in the nickelodeon era in New York City: Commerce, Assimilation and Cultural Identity
115
Back issues of Film History - volumes 9-11 (1997-99)
125
Daniel J. Leab
Moving Image Archives: Past and Future
131
Gregory Lukow
Beyond 'On-the-Job': The education of moving image archivists - a history in progress
134
Ray Edmondson
Archiving 'Outside the Frame': Audiovisual archiving in South East Asia and the Pacific
148
Abigail Leab Martin
No longer reinventing the wheel but creatively skinning the cat
156
Patrick G. Loughney
Thomas Jefferson's movie collection
174
Roger Smither and David Walsh
Unknown pioneer: Edward Foxen Cooper and the Imperial War Museum Film Archive, 1919-1934
187
Ronald W. Wilson
Interstate Theatre Collection, 1907-1977: City of Dallas Public Library Dallas, Texas
204
Thomas Cripps
The Olympic Museum and IOC Studies Centre, Lausanne: A personal view
211
Ina Bertrand
The mystery of the missing director
215
Richard Koszarski
Book Reviews
226
Back issues of Film History - volumes 6-8 (1994-96)
229
Giorgio Bertellini
Introduction: Early Italian cinema
235
Claudia Gianetto
The Giant Ambrosio, or Italy's most prolific silent film company
240
Silvio Alovisio
The 'Pastrone System': Itala Film from the origins to World War I
250
Kimberly Tomadjoglou
Rome's premiere film studio: Società Italiana Cines
262
Raffaele De Berti
Milano Films: The exemplary history of a film company of the 1910s
276
John P. Welle
Film on paper: Early Italian cinema literature, 1907-1920
288
Monica Dall'Asta
Italian serial films and 'international popular culture'
300
John David Rhodes
'Our beautiful and glorious art lives': The rhetoric of nationalism in early Italian film periodicals
308
Marco Bertozzi
Visualising the past: The Italian city in early cinema
322
Tjitte De Vries
Letter to the Editor: The case for Melbourne-Cooper
330
John Belton
Introduction: Colour Film
339
Richard Koszarski
Foolish Wives: The colour restoration that never happened
341
John Belton
Cinecolor
344
Scott Higgins
Demonstrating three-colour Technicolor: Early three-colour aesthetics and design
358
TCP of White, Weld & Co.
Analysis of Technicolor stock
384
John Belton
Getting It Right: Robert Harris on Colour Restoration
393
Richard W. Haines
Technicolor revival
410
Herbert Reynolds
Aural gratification with Kalem films: a case history of music, lectures and sound effects, 1907-1917
417
Peter Decherney
Inventing Film Study and Its Object at Columbia University, 1915-1938
443
Back issues of Film History - volumes 8-11 (1996-99)
461