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John Belton | The 1950s and Beyond | 107 | |
Jonathan M. Schoenwald | Rewriting revolution: the origins, production and reception of Viva Zapata! | 109 | |
Simon Popple | Group Three- a lesson in state intervention? | 131 | |
Barbara Wilinsky | 'A thinly disguised art veneer covering a filthy sex picture': Discourses on art houses in the 1950s | 143 | |
Stephanie Savage | Evelyn Nesbit and the film(ed) histories of the Thaw-White Scandal | 159 | |
Jerome Delamater | Warner Bros.' Yellowstone Kelly | 176 | |
Jeffrey Vance | The Circus: a Chaplin masterpiece | 186 | |
Randy Gue | 'it seems that everything looks good nowadays, as long as it is in the flesh & brownskin' | 209 | |
Matthew Bernstein | Nostalgia, ambivalence, irony: Song of the South and race relations in 1946 Atlanta | 219 | |
Clinton Duritz, Jr. | A conversation with writer and director Kevin Smith | 237 | |
Richard Koszarski, Paolo Cherchi Usai, John Belton, Mark Langer, Kristin Thompson | William K. Everson | 249 | |