* | July 29, 1921 Neuilly-sur-Seine, France | |
as Christian François Bouche-Villeneuve | ||
† | July 29, 2012 Paris, France |
Sarah Cooper Chris Marker Manchester; New York, 2008 |
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Ann Bremner (ed.) Chris Marker, Staring Back Columbus, Ohio, 2007 |
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Catherine Lupton Chris Marker, Memories of the future London, [2006] |
Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Andrew Sarris (editor) The St. James Film Directors Encyclopedia Detroit - New York - Toronto - London, 1998 |
David Thomson The New Biographical Dictionary of Film New York, 2003 |
Samuel Douhaire and Annick Rivoire, Marker Direct, in: Filmcomment, nr. 3, 2003 pp. 38-41 |
Catherine Lupton, The Owl's Legacy, in: Sight & Sound, nr. 10, 2012 pp. 40-41 |
John Gianvito, Jem Cohen, Thom Andersen, Patrick Keiller, Chris Petit, Sarah Turner, Kodwo Eshun, José Luis Guerín, Patricio Guzmán, Agnes Varda, Sans marker, in: Sight & Sound, nr. 10, 2012 pp. 42-46 |
Chris Chang, Strangers on a Train, Chris Marker goes underground, in: Filmcomment, nr. 4, 2011 pp. 17 |
Jesse P. Finnegan, Double th Fun, Chris Marker and Second Life, in: Filmcomment, nr. 6, 2010 pp. 10 |
Chris Darke, Musique concrète, in: Filmcomment, nr. 2, 2005 pp. 14 |
Chris Darke, The Invisible Man, in: Filmcomment, nr. 3, 2003 pp. 32 |
Howard Hampton, Remembrance of Revolutions Past, in: Filmcomment, nr. 3, 2003 pp. 33-35 |
Michael Almereyda, Deciphering the Future, in: Filmcomment, nr. 3, 2003 pp. 36-37 |
Catherine Lupton, Shock of the Old, in: Filmcomment, nr. 3, 2003 pp. 42-45 |
Sam Diiorio, The Truth About Paris, in: Filmcomment, nr. 3, 2003 pp. 46-47 |
Chris Darke, Eyesight, in: Filmcomment, nr. 3, 2003 pp. 48-50 |
Paul Arthur, Kino-Eye, in: Filmcomment, nr. 4, 2003 pp. 32-34 |
Olaf Möller, Ghost World, in: Filmcomment, nr. 4, 2003 pp. 35-37 |
Min Lee, Red Skies, in: Filmcomment, nr. 4, 2003 pp. 38-41 |
Michael Chaiken and Sam Diiorio, Printed Matter, in: Filmcomment, nr. 4, 2003 pp. 42-43 |
Andre Bazin, Bazin on Marker, in: Filmcomment, nr. 4, 2003 pp. 44-45 |
Kent Jones, Time Immemorial, in: Filmcomment, nr. 4, 2003 pp. 46 |
J. Hoberman, Postcard from the Edge, in: Filmcomment, nr. 4, 2003 pp. 48 |
Jon Kear, Marker, Activism and Melancholy, Reflections on the Radical '60s in the Later Films of Chris Marker, in: Ewa Mazierska and Lars Kristensen (eds.), Marxism and film activism, New York, 2015 |
Claus Löser, Die Katze lächelt, Zum Tod von Chris Marker, in: Filmdienst, nr. 17, 2012 pp. 9 |
Gerhard Midding, Die Blicke der Anderen, in: epd Film, nr. 9, 2012 pp. 14 |
Larry Gross, Time Traveler, in: Filmcomment, nr. 5, 2012 pp. 12-13 |
Michel Marie, The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema, in: Alistair Fox, Michel Marie, Raphaelle Moine, Hilary Radner (eds.), A companion to contemporary French cinema, Chichester, West Sussex; Malden, MA, 2015 |