Apichatpong Weerasethakul (1970)
Thai independent film director, screenwriter, and film producer.| * | July 16, 1970 Bangkok, Thailand |
Books with substantial mentioning of Apichatpong Weerasethakul
| Andrew Bailey, edited by Paul Duncan Cinema Now Hong Kong; Köln; London; Los Angeles; Madrid; Paris; Tokyo, 2007 |
Interviews
| Violet Lucca, Dream State, in: Filmcomment, nr. 2, 2016 pp. 22-27 |
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| Kieron Corless, Symbols of Transformation, in: Sight & Sound, nr. 12, 2010 pp. 19-20 |
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| Andreas Busche, "Der Dschungel ist der beste Darsteller", in: epd Film, nr. 10, 2010 pp. 26-27 |
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Articles on Apichatpong Weerasethakul
| Giovanni Marchini Camia, Magical Thinking, in: Filmcomment, nr. 2, 2015 pp. 13 |
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| Nathan Lee, Back to basics, in: Filmcomment, nr. 4, 2011 pp. 52-55 |
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| Dominique Païni, Apichatpong Weerasethakul, in: Cahiers du Cinema, nr. 652, 2010 pp. 18-19 |
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| Silvia Hallensleben, Hospital der Geister, Apichatpong Weerasethakul und seine Filme, in: epd Film, nr. 10, 2010 pp. 22-25 |
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| Katja Nicodemus, Seelenwanderung in Bildern, in: Die Zeit, 05-03-2009 |
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| Patrice Blouin, Apichatpong Weerasethakul, l'intermédiaire, in: Cahiers du Cinema, nr. 650, 2009 pp. 76-79 |
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| Philip Brophy, Gone Native, in: Filmcomment, nr. 5, 2009 pp. 20 |
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| Nathan Lee, Recovering Memory, in: Filmcomment, nr. 3, 2007 pp. 28-31 |
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Articles with substantial mentioning of Apichatpong Weerasethakul
| The Magnificent Seven, in: Sight & Sound, nr. 2, 2010 pp. 47 |
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