* | March 23, 1942 Munich |
Roy Grundmann, Fatima Naqvi, Colin Root (eds.) Michael Haneke, Interviews Jackson, 2020 |
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Elsie Walker Hearing Haneke, The sound tracks of a radical auteur New York, 2018 |
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Ben McCann & David Sorfa (eds.) The cinema of Michael Haneke, Europe utopia London; New York, 2011 |
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Thomas Assheuer Michael Haneke Berlin, 2010 |
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Oliver C. Speck Funny frames, The filmic concepts of Michael Haneke New York, 2010 |
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Peter Brunette Michael Haneke Urbana, 2010 |
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Brian Price and John David Rhodes (eds.) On Michael Haneke Detroit, 2010 |
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Alexander D. Ornella and Stefanie Knauss (eds.) Fascinatingly disturbing, Interdisciplinary perspectives on Michael Haneke's cinema Eugene, OR, 2010 |
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Catherine Wheatley Michael Haneke's Cinema, The Ethic of the Image New York; Oxford, 2009 |
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Alexander Horwath e Giovanni Spagnoletti (eds.) Michael Haneke Torino, [1998] |
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Alexander Horwath (Hrsg.) Der Siebente Kontinent, Michael Haneke und seine Filme Wien, 1991 |
Kate Ince (ed.) Five directors, Auteurism from Assayas to Ozon Manchester, 2008 |
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Andrew Bailey, edited by Paul Duncan Cinema Now Hong Kong; Köln; London; Los Angeles; Madrid; Paris; Tokyo, 2007 |
Robert C. Reimer, Carol J. Reimer Historical Dictionary of German Cinema Lanham, Maryland, Toronto, Plymouth, UK, 2008 |
Geoff Andrew, Michael Haneke, in: Sight & Sound, nr. 12, 2012 pp. 54-58 |
Alexander Horwath, The Haneke Code, in: Filmcomment, nr. 6, 2009 pp. 26-31 |
Thomas Assheuer, Der Unerbittliche, in: Die Zeit, 28-05-2009 |
The Magnificent Seven, in: Sight & Sound, nr. 2, 2010 pp. 47 |