Cecil B. DeMille
American film director and Academy Award-winning film producer in both silent and sound films.
Films
1958
The Buccaneer
1957
The Buster Keaton Story
The Heart of Show Business
1956
The Ten Commandments
1953
The War of the Worlds
1952
The Greatest Show on Earth
Son of Paleface
1951
When Worlds Collide
1950
Sunset Boulevard
1949
Samson and Delilah
1947
Unconquered
Variety Girl
1944
The Story of Dr. Wassell
1942
Reap the Wild Wind
Star-Spangled Rhythm
1941
Glamour Boy
1940
North West Mounted Police
1939
Union Pacific
1938
The Buccaneer
1937
The Last Train from Madrid
1936
The Plainsman
1935
The Crusades
1934
Cleopatra
1933
Hollywood on Parade No. 9
This Day and Age
1932
The Sign of the Cross
1931
The Squaw Man
1930
Madam Satan
Free and Easy
Estrellados
1929
Dynamite
The Godless Girl
1928
Let 'Er Go Gallegher
Hold 'Em Yale
1927
The King of Kings
The Fighting Eagle
The Yankee Clipper
1926
The Volga Boatman
Her Man o' War
1925
The Road to Yesterday
1924
Feet of Clay
1923
Hollywood
The Ten Commandments
Adam's Rib
1922
Manslaughter
1921
The Affairs of Anatol
Fool's Paradise
1920
Something to Think About
Why Change Your Wife?
1919
Male and Female
Don't Change Your Husband
For Better, For Worse
1918
The Whispering Chorus
1917
The Little American
A Romance of the Redwoods
1916
Joan the Woman
1915
The Cheat
The Warrens of Virginia
Carmen
The Unafraid
1914
The Virginian
The Ghost Breaker
The Squaw Man
| * | August 12, 1881 Ashfield, Massachusetts, USA |
| as Cecil Blount DeMille | |
| † | January 21, 1959 Hollywood, California, USA |
American film director and Academy Award-winning film producer in both silent and sound films.
Films
1958
The Buccaneer
1957
The Buster Keaton Story
The Heart of Show Business
1956
The Ten Commandments
1953
The War of the Worlds
1952
The Greatest Show on Earth
Son of Paleface
1951
When Worlds Collide
1950
Sunset Boulevard
1949
Samson and Delilah
1947
Unconquered
Variety Girl
1944
The Story of Dr. Wassell
1942
Reap the Wild Wind
Star-Spangled Rhythm
1941
Glamour Boy
1940
North West Mounted Police
1939
Union Pacific
1938
The Buccaneer
1937
The Last Train from Madrid
1936
The Plainsman
1935
The Crusades
1934
Cleopatra
1933
Hollywood on Parade No. 9
This Day and Age
1932
The Sign of the Cross
1931
The Squaw Man
1930
Madam Satan
Free and Easy
Estrellados
1929
Dynamite
The Godless Girl
1928
Let 'Er Go Gallegher
Hold 'Em Yale
1927
The King of Kings
The Fighting Eagle
The Yankee Clipper
1926
The Volga Boatman
Her Man o' War
1925
The Road to Yesterday
1924
Feet of Clay
1923
Hollywood
The Ten Commandments
Adam's Rib
1922
Manslaughter
1921
The Affairs of Anatol
Fool's Paradise
1920
Something to Think About
Why Change Your Wife?
1919
Male and Female
Don't Change Your Husband
For Better, For Worse
1918
The Whispering Chorus
1917
The Little American
A Romance of the Redwoods
1916
Joan the Woman
1915
The Cheat
The Warrens of Virginia
Carmen
The Unafraid
1914
The Virginian
The Ghost Breaker
The Squaw Man
Imdb: 0001124
Articles on Cecil B. DeMille
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Articles with substantial mentioning of Cecil B. DeMille
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Articles with photographs of Cecil B. DeMille
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Advertisements
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Books by Cecil B. DeMille
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Cecil B. De Mille, edited by Donald Hayne The Autobiography of Cecil B. De Mille Englewood Cliffs, N.J. 1959 |
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Books on Cecil B. DeMille
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Scott Eyman Empire of dreams, The epic life of Cecil B. DeMille New York, 2010 |
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Simon Louvish Cecil B. DeMille, A life in art New York, 2008 |
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Robert S. Birchard Cecil B. DeMille's Hollywood Lexington, 2004 |
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Sumiko Higashi Cecil B. DeMille and American Culture, The Silent Era Berkeley, Los Angeles and London, 1994 |
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Sumiko Higashi Cecil B. DeMille, a guide to references and resources Boston, Mass., 1985 |
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Charles Higham Cecil B. De Mille New York, 1973 |
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Gabe Essoe and Raymond Lee DeMille, The Man and His Pictures New York, 1970 |
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Gene Ringgold and DeWitt Bodeen The Films of Cecil B. De Mille New York, 1969 |
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Michael Mourlet Cecil B. De Mille Paris, 1968 |
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Phil A. Koury Yes, Mr. De Mille New York, 1959 |
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Books with substantial mentioning of Cecil B. DeMille
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Brian J. Robb Silent cinema Harpenden, Herts, 2007 |
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John C. Tibbetts and James M. Welsh The Encyclopedia of Filmmakers, Volume I New York, NY, 2002 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Andrew Sarris (editor) The St. James Film Directors Encyclopedia Detroit - New York - Toronto - London, 1998 |
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Gregg Felsen Tombstones, 75 Famous People and Their Final Resting Places Berkeley, California, 1997 |
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Ann Lloyd (ed.) Movies of the Thirties London, 1983 |
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Kevin Brownlow The Parade's Gone by... Berkeley and Los Angeles, California, 1976 |
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Richard Koszarski Hollywood Directors, 1914-1940 New York, 1976 |
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Stanley Hochman (ed.) A Library of Film Criticism, American Film Directors New York, 1974 |
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Ray Stuart (ed.) Immortals of the Screen New York, 1965 |
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Charles Donald Fox and Milton L. Silver (eds.) Who's Who on the Screen New York City, 1920  |
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Books with an entry on Cecil B. DeMille
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Richard Abel (ed.) Encyclopedia of early cinema London and New York, 2005 |
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David Thomson The New Biographical Dictionary of Film New York, 2003 |
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Paul Michael, editor in chief. James Robert Parish, associate editor The American movies reference book, The sound era Englewood Cliffs, N.J.,, 1969 |
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Martin J. Quigley (ed.) The Motion Picture Almanac, Big Stars in Big Pictures Chicago, Ill., 1929   |
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Books with photograph(s) of Cecil B. DeMille
| Mary Dawn Earley Stars of the Twenties, Observed by James Abbe New York, 1975 |
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Articles on Cecil B. DeMille
| Sumiko Higashi, The New Woman and Consumer Culture, in: Jennifer M. Bean and Diane Negra (eds.), A Feminist Reader in Early Cinema, Durham & London, 2002 |
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| Allen W. Palmer, Cecil B. DeMille writes America's history for the 1939 World's Fair, in: Film History, vol. 5, 1993 pp. 36-48 |
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| Lea Jacobs, Belasco, DeMille and the development of Lasky lighting, in: Film History, vol. 5, 1993 pp. 405-418 |
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| Sumiko Higashi, Cecil B. DeMille and the Lasky Company, Legitimating Feature Film as Art, in: Film History, vol. 4, 1990 pp. 181-197 |
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