* | July 22, 1946 Grand Rapids, Michigan, USA | |
as Paul Joseph Schrader |
Paul Schrader Transcendental Style in Film, Ozu, Bresson, Dreyer Berkeloey, 1972 |
A man of excess, in: Sight & Sound, nr. 1, 1995 pp. 24-29 |
Canon Fodder, in: Filmcomment, nr. 5, 2006 pp. 33-49 |
In Development, One of cinema's great provocateurs submits his notes on the story of Christ, in: Filmcomment, nr. 4, 2010 pp. 76-77 |
Shooting Stars, in: Filmcomment, nr. 4, 2013 pp. 26-27 |
Camera movement, in: Filmcomment, nr. 2, 2015 pp. 56-61 |
Slow, fast, and reverse motion, in: Filmcomment, nr. 4, 2015 pp. 52-55 |
Widescreen, in: Filmcomment, nr. 5, 2015 pp. 62-65 |
Color, in: Filmcomment, nr. 6, 2015 pp. 52-56 |
Sound, in: Filmcomment, nr. 1, 2016 pp. 60-65 |
Production design, in: Filmcomment, nr. 2, 2016 pp. 58-60 |
George Stevens, Jr. (ed.) Conversations at the American Film Institute with the great moviemakers, The next generation New York, 2012 |
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John C. Tibbetts, James M. Welsh The Encyclopedia of Filmmakers, Volume Two New York, NY, 2002 |
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Yoram Allon, Del Cullen and Hannah Patterson (eds.) Contemporary North American Film Directors, A Wallflower Critical Guide London and New York, 2002 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Andrew Sarris (editor) The St. James Film Directors Encyclopedia Detroit - New York - Toronto - London, 1998 |
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Judy Stone Eye on the World, Conversations with International Filmmakers Los Angeles, 1997 |
David Thomson The New Biographical Dictionary of Film New York, 2003 |
Larry Gross, The Noise Factor, in: Filmcomment, nr. 4, 2013 pp. 22-29 |
Paul Fileri, Auto Focus, in: Filmcomment, nr. 3, 2008 pp. 10 |
Jeffrey Wells, Paul Schader, American Gigolo and Other Matters, in: Films in Review, vol. 31, 1980 pp. 284-287 |