* | February 5, 1943 Chicago, Illinois | |
as Michael Kenneth Mann |
Steven Rybin The cinema of Michael Mann Lanham, MD, 2007 |
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Mark E. Wildermuth Blood in the moonlight, Michael Mann and information age cinema Jefferson, N.C., 2005 |
Andrew Bailey, edited by Paul Duncan Cinema Now Hong Kong; Köln; London; Los Angeles; Madrid; Paris; Tokyo, 2007 |
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John C. Tibbetts, James M. Welsh The Encyclopedia of Filmmakers, Volume Two New York, NY, 2002 |
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Yoram Allon, Del Cullen and Hannah Patterson (eds.) Contemporary North American Film Directors, A Wallflower Critical Guide London and New York, 2002 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
David Thomson The New Biographical Dictionary of Film New York, 2003 |
James Bell, Almost amorous, in: Sight & Sound, nr. 2, 2011 pp. 28-29 |
Martin Schwickert, Ich wollte mich in John Dillinger hineinversetzen, in: epd Film, nr. 8, 2009 pp. 24 |
Mark Olsen, Paint it black, in: Sight & Sound, nr. 10, 2004 pp. 16 |
Georg Seeßlen, Erschöpfte Helden, Nachts, in: epd Film, nr. 8, 2009 pp. 18-23 |
Christopher Sharrett, Michael Mann, Elegies on the Post-Industrial Landscape, in: Yvonne Tasker (ed.), Fifty Contemporary Filmmakers, London and New York, 2002 |