* | June 6, 1950 Brussels, Belgium | |
as Chantal Anne Akerman | ||
† | October 5, 2015 Paris, France |
Marion Schmid Chantal Akerman Manchester; New York, 2010 |
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Terrie Sultan (ed.) Chantal Akerman, Moving through time and space [Houston, Tex.]; New York, NY, 2008 |
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Veronica Pravadelli Performance, rewriting, identity, Chantal Akerman's postmodern cinema Torino, 2000 |
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Ivone Margulies Nothing happens, Chantal Akerman's hyperrealist everyday Durham, 1996 |
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Marion Schmid and Emma Wilson (eds.) Chantal Akerman, Afterlives Cambridge, |
Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Andrew Sarris (editor) The St. James Film Directors Encyclopedia Detroit - New York - Toronto - London, 1998 |
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Amy L. Unterburger (editor) Women Filmmakers & Their Films Detroit - New York - London, 1998 |
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Gwendolyn Audrey Foster Women film directors, An international bio-critical dictionary Westport, Connecticut; London, 1995 |
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Ally Acker Reel Women, Pioneers of the Cinema 1896-Present New York, 1991 |
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Hans Beerekamp, Peter van Bueren, Jan Heijs (redactie) Het Nederlands Jaarboek Film 1986 Houten, 1986 |
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Ellen Oumano Film Forum, Thirty-Five Top Filmmakers Discuss Their Craft New York, 1985 |
Kay Weniger Das große Personenlexikon des Films, Erster Band. A-C Berlin, 2001 |
Amy Taubin, First love, in: Filmcomment, nr. 3, 2016 pp. 28-33 |
Courtney Fiske, Ma Mère, A perennial Chantal Akerman fixation, in: Filmcomment, nr. 4, 2013 pp. 18 |
Alexandra Wach, Chantal Akerman, in: Filmdienst, nr. 7, 2012 pp. 5 |
Nathan Lee, Pleasures of the Text, in: Filmcomment, nr. 5, 2005 pp. 17 |