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| Mattias Frey, Postwall German cinema, New York, 2013 |
| Author: | Eric Rentschler |
| Title: | Introduction, Theoretical and historical considertions |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 1-8 |
| Illustrations: | no |
| Author: | Heide Schlüpmann |
| Title: | The first Germanart film, Rye's The Student of Prague (1913) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 9 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der Student von Prag (1913) |
| Author: | Judith Mayne |
| Title: | Dracula in the twilight, Murnau's Nosferatu (1922) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 25-39 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Nosferatu, eine Symphonie des Grauens (1922) |
| Author: | Thomas Elsaesser |
| Title: | Lulu and the meter man, Pabst's Pandora's Box |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 40-59 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Die Büchse der Pandora (1929) |
| Author: | Gertrud Koch |
| Title: | Between two worlds, von Sternberg's The Blue Angel (1930) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 60-72 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der blaue Engel (1930) |
| Author: | Alan Williams |
| Title: | Reading Ophüls reading Schnitzler, Liebelei (1933) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 73-86 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Liebelei (1933) |
| Author: | Marc Silberman |
| Title: | Kleist in the Third Reich, Ucicky's The Broken Jug (1937) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 87-102 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der zerbrochene Krug (1935) |
| Author: | Karsten Witte |
| Title: | How Nazi cinema mobilizes the classics, Schweikart's Das Fräulein von Barnhelm (1940) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 103-116 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Das Fräulein von Barnhelm (1940) |
| Author: | Jan-Christopher Horak |
| Title: | The other Germany in Zinnemann's The Seventh Cross (1944) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 117-131 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
The Seventh Cross (1944) |
| Author: | Jan-Christopher Horak |
| Title: | Postwar traumas in Klaren's Wozzeck (1947) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 132-145 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Wozzeck |
| Author: | Marc Silberman |
| Title: | Semper fidelis, Staute's The Subject (1951) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 146-160 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der Untertan (1951) |
| Author: | Russell A. Berman |
| Title: | A return to arms, Käutner's The Captain of Köpenick (1956) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 161-175 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der Hauptmann von Köpenick (1956) |
| Author: | Eric Rentschler |
| Title: | Specularity and spectacle in Schlöndorff's Young Törless (1966) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 176-192 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Der junge Törless (1966) |
| Author: | Miriam Hansen |
| Title: | Space of history, language of time, Kluge's Yesterday Girl (1966) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 193-216 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Abschied von gestern - (Anita G.) |
| Author: | Brigitte Peucker |
| Title: | The invalidation of Arnim, Herzog's Signs of Life (1968) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 217-230 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Lebenszeichen |
| Author: | Maureen Turim |
| Title: | Textuality and theatricality in Brecht and Straub/Huillet, History Lessons (1972) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 231-245 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Geschichtsunterricht |
| Author: | Dennis F. Mahoney |
| Title: | A recast Goethe, Günther's Lotte in Weimar (1975) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 246-259 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Lotte in Weimar |
| Author: | Timothy Corrigan |
| Title: | The tension of translation, Handke's The Left-Handed Woman (1977) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 260-275 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Die linkshändige Frau |
| Author: | Anton Kaes |
| Title: | History, fiction, memory, Fassbinder's The Marriage of Maria Braun (1979) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 276-288 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Die Ehe der Maria Braun (1979) |
| Author: | E. Ann Kaplan |
| Title: | The search for the Mother/Land in Sanders-Brahms's Germany, Pale Mother (1980) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 289-304 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Deutschland bleiche Mutter |
| Author: | Eric Rentschler |
| Title: | Terms of dismemberment, the body in/and/of Fassbinder's Berlin Alexanderplatz (1980) |
| in: | Eric Rentschler, German Film & Literature, New York & London, 1986 |
| Pp: | 305-321 |
| Bibliography: | yes |
| Illustrations: | yes |
| Related film: |
Berlin Alexanderplatz (1980) |