Silencing Cinema. Film Censorship around the World
Daniel Biltereyst and Roel Vande Winkel (eds.)
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Articles
| Linked author: | |
| Title: | Silencing Cinema: An Introduction |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 1-12 |
| Illustrations: | no |
| Linked author: | |
| Title: | The Cinemas of Italian Migration: From Il cammino della speranza (1950) to Into Paradiso (2010) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 1-18 |
| Illustrations: | no |
| Author: | Laura Wittern-Keller |
| Linked author: | |
| Title: | All the Power of the Law: Government Film Censorship in the United States |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 15-32 |
| Illustrations: | yes |
| Author: | Laura Rascaroli |
| Linked author: | |
| Title: | Solid Borders, Fluid Nation: On Pietro Germi's Il cammino della speranza (1950) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 21-30 |
| Illustrations: | no |
| Related film: |
Il cammino della speranza (1950) |
| Author: | Jon Lewis |
| Linked author: | |
| Title: | "American morality is not to be trifled with": Content Regulation in hollywood after 1968 |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 33-47 |
| Illustrations: | yes |
| Author: | Veronica Pravadelli |
| Linked author: | |
| Title: | Identity, Masculinity, and Postcolonial Scenarios in Gianni Amelio's Lamerica (1994) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 31-40 |
| Illustrations: | no |
| Related film: |
Lamerica (1994) |
| Author: | Pierre Véronneau |
| Linked author: | |
| Title: | When Cinema Faces Social Values: One Hundred Years of Film Censorship in Canada |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 49-62 |
| Illustrations: | yes |
| Author: | Alessandra Di Maio |
| Linked author: | |
| Title: | The Mediterranean, or Where Africa Does (Not) Meet Italy: Andrea Segre's A Sud di Lampedusa (2006) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 41-52 |
| Illustrations: | no |
| Author: | Francisco Peredo-Castro |
| Linked author: | |
| Title: | Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorship |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 63-78 |
| Illustrations: | yes |
| Author: | Daniel Winkler |
| Linked author: | |
| Title: | New Italian Migrant Cinema between Cinematic Nostalgia and Trash (Bellocchio, Marra, Torre) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 53-67 |
| Illustrations: | yes |
| Related persons: |
Marco Bellocchio Vincenzo Marra Roberta Torre |
| Author: | Martin Loiperdinger |
| Linked author: | |
| Title: | Film Censorship in Germany: Continuity and Change through Five Political Systems |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 81-96 |
| Illustrations: | no |
| Author: | Alice Bardan and Áine O'Healy |
| Linked author: | |
| Title: | Transnational Mobility and Precarious Labour in Post-Cold War Europe: The Spectral Disruptions of Carmine Amoroso's Cover Boy (2006) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 69-90 |
| Illustrations: | no |
| Related film: |
Cover boy: L'ultima rivoluzione |
| Author: | Richard Taylor |
| Linked author: | |
| Title: | Seeing Red: Political Control of Cinema in the Soviet Union |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 97-108 |
| Illustrations: | no |
| Author: | Francesca Esposito |
| Linked author: | |
| Title: | "The Journey from a Poor Country." Attempts to Escape Italy's Economic and Moral Poverty in Recent Documentaries |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 91-104 |
| Illustrations: | yes |
| Author: | Zhiwei Xiao |
| Linked author: | |
| Title: | Prohibition, Politics, and Nation-Building: A History of Film Censorship in China |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 109-130 |
| Illustrations: | no |
| Author: | Alberto Zambenedetti |
| Linked author: | |
| Title: | Modernizing Italian Migration Cinema: Film Auteurs and the Economic Boom |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 107-122 |
| Illustrations: | no |
| Author: | Dilek Kaya Mutlu |
| Linked author: | |
| Title: | Film Censorship during the Golden Era of Turkish Cinema |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 131-146 |
| Illustrations: | no |
| Author: | Sophie Rudolph |
| Linked author: | |
| Title: | "C'era una volta in Svizzera" - "The Italians" in Swiss Cinema |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 123-140 |
| Illustrations: | yes |
| Author: | Julian Petley |
| Linked author: | |
| Title: | The Censor and the State in Britain |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 149-165 |
| Illustrations: | no |
| Author: | Camille Gendrault |
| Linked author: | |
| Title: | Playing with Stereotypes: Martin Scorsese's Italianamerican (1974) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 141-155 |
| Illustrations: | no |
| Related film: |
Italianamerican |
| Author: | David Newman |
| Linked author: | |
| Title: | British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settlement, 1916-1941 |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 167-190 |
| Illustrations: | yes |
| Author: | Gudrun Rath |
| Linked author: | |
| Title: | Cinema, Migration and Crisis: Sandra Gugliotta's Un día de suerte (2002) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 137-170 |
| Illustrations: | yes |
| Related film: |
Un dia de suerte |
| Author: | Nandana Bose |
| Linked author: | |
| Title: | "We do not certify backwards": Film Censorship in Postcolonial India |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 191-206 |
| Illustrations: | no |
| Author: | Aurora E. Rodonò |
| Linked author: | |
| Title: | Nomadic Narratives: Migration Cinema in Germany and Italy |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 171-197 |
| Illustrations: | yes |
| Author: | Kevin Rockett |
| Linked author: | |
| Title: | Irish Film Censorship: Refusing the Fractured Family of Foreign Films |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 207-220 |
| Illustrations: | no |
| Author: | Rada Bieberstein |
| Linked author: | |
| Title: | "Mine vaganti": Film Theoretical Considerations on Transculturality and the Cinema of Ferzan Ozpetek |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 201-229 |
| Illustrations: | yes |
| Related persons: |
Ferzan Ozpetek |
| Author: | Carmen McCain |
| Linked author: | |
| Title: | Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 223-240 |
| Illustrations: | yes |
| Author: | Doris Pichler |
| Linked author: | |
| Title: | The (Migrant) Other and Crime: La giusta distanza (2007) by Carlo Mazzacurati as a Multilayered Depiction of a Clichéd Connection |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 231-245 |
| Illustrations: | yes |
| Related film: |
La giusta distanza |
| Author: | Gregory D. Black |
| Linked author: | |
| Title: | The Legion of Decency and the Movies |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 241-254 |
| Illustrations: | no |
| Author: | Jörg Metelmann |
| Linked author: | |
| Title: | "È giusto vivere così?" Contemporary Melodrama and Migration |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 247-262 |
| Illustrations: | no |
| Author: | Daniela Treveri Gennari |
| Linked author: | |
| Title: | Blessed Cinema: State and Catholic Censorship in Postwar Italy |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 255-271 |
| Illustrations: | yes |
| Author: | Gaoheng Zhang |
| Linked author: | |
| Title: | Comedy Film and Immigration to Italy: Reading Masculinity, Hybridity, and Satire in Lezioni di cioccolato (2007), Questa notte è ancora nostra (2008), and Into Paradiso (2010) |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 263-279 |
| Illustrations: | no |
| Author: | Daniel Biltereyst |
| Linked author: | |
| Title: | Film Censorship in a Liberal Free Market Democracy: Strategies of Film Control and Audiences' Experiences of Censorship in Belgium |
| in: | Daniel Biltereyst and Roel Vande Winkel (eds.), Silencing Cinema, New York, 2013 |
| Pp: | 273-291 |
| Illustrations: | yes |
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