| Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 1. Films Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
| Erik Bullot, Margins and thresholds of French cinema: Ménilmontant, Le Sang des bêtes, Colloque de chiens, in: Philippe Met and Derek Schilling (eds.), Screening the Paris Suburbs, Manchester, 2018 |