David Greven Intimate violence, Hitchcock, sex, and queer theory Oxford, 2017 |
||
David Humbert Violence in the films of Alfred Hitchcock, A study in mimesis East Lansing, 2017 |
||
David Thomson Have you seen?, A personal introduction to 1,000 films New York, 2008 |
||
Jürgen Müller (ed.) Movies of the 60s Köln, London, Los Angeles, Madrid, Paris, Tokyo, 2005 |
||
Robert J. Yanal Hitchcock as philosopher Jefferson, N.C., 2005 |
||
Christopher D. Morris The Hanging Figure, On Suspence and the Films of Alfred Hitchcock Westport, Connecticut - London, 2002 |
||
Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 1. Films Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
||
David Sterritt The films of Alfred Hitchcock Cambridge [England]; New York, NY, USA, 1993 |
||
Robert A. Harris & Michael S. Lasky The Films of Alfred Hitchcock Secaucus, NJ, 1979 |
||
Donald Spoto The Art of Alfred Hitchcock, Fifty Years of His Motion Pictures New York, 1976 |
||
Robin Wood Hitchcock's Films New York, 1969 |
Paul Michael, editor in chief. James Robert Parish, associate editor The American movies reference book, The sound era Englewood Cliffs, N.J.,, 1969 |
Richard Allen, The sound of The Birds, in: Steven Rawle and K.J. Donnelly (eds.), Partners in suspense, Manchester, 2017 |
Evan Hunter, Me and Hitch, in: Sight & Sound, nr. 6 (June), 1997 pp. 24-37 |
Adam Smith, The Birds, in: Empire, nr. 238 (April), 2009 pp. 174-175 |
Patrick O'Donnell, James's Birdcage/Hitchcock's Birds, in: Susan M. Griffin and Alan Nadel (eds.), The Men Who Knew Too Much, New York, 2012 |